this 12 kicks off with jam 2 tha mother,a track that has been doing the rounds for a while as a westpark unit track apparently. its a fairly nice hiphouse bumper.its all about miles though. the looped piano sample works wonderfully well with the straight deep disco beats. and while the original is good, the soulphiction remix is the icing on the cake. they give it a certain industrial/techy edge, and make the sample stand out even better. add to that some dope detroit beatdown bass licks and beats, and you ve got yourself a catchy tune

tu rong unearth another forgotten nu groove classic with open houses seven day weekend in the motor city version a square bass lead deep techno gem. brennan green adds a new epic interpretation

limited repress of this classic tracks from joey beltram feat energy flash, mentasm and other well know beltram tunes !!!

paris producers guillaume atlan (the supermen lovers) and gregory louis (aloud) have recently joined forces to form new act moto signed exclusively to cyclo records. taking their influences from 70s californian funk - rock bands and icons like stretch, chicago, prince, ac/dc, they develop a style of their own, adding a touch of electro to their live instruments (guitar, bass, vocals) to deliver sexy, uplifting tracks. >heartbreaker< their first single contains that genuine positive rock n roll attitude that will make you jump off your seat while driving a convertible car on a desert highway. >who cares< on the b-side in a more spaced out way but with that added 70s funk treatment will take you to the next lost motel where you may not find anyone but a dog to talk to. motos debut ep, have been selected as part of the soundtrack of eric lavaine new screenplay >poltergay< (out october 26th in france), a comic production where gay ghosts make the life of an ordinary, newly established couple quite difficult...

2 slamming 4 to the floor house mixes by pedro london

anders trentemøller, the shooting star of 2005, needs no further introduction. he has been stringing together hit after hit, most recently the -nam nam ep- on poker flat which offered an initial insight into his upcoming album -the last resort-. now the new 12- brings the first full-blown single outtake. the featured album track is -always something better – a vocal version featuring richard davis - and has a calmer, almost dreamy mood compared to the club tracks he s released. an easy-going groove, some wonderful celesta chords (hand-played by anders) and the typical trentemøller sound melt with the outstanding vocals by richard davis, who already graced swayzak s -speak easy- on k7. furthermore, davis is known for his longplayers on punkt musik and kitty-yo as well as an array of singles and remixes.a brilliant track with a beautiful atmosphere.of course the a1 slot is reserved for the -trentemøller remix-, a true dancefloor anthem. a kicking bass drum, quirky sounds and the -trentemøller twist- make this a real summer hit. while the a1 mix is a reduced vocal version, you ll find the -dub mix- on b1. to top things off, the one and only matthew herbert contributes his very own interpretation on the -bubble mix-. he disrupts and rearranges the original sounds and song structures to create a new unsettled, but fascinating soundscape

includes a housed out of it mix and bass generator mix that is recieving constant plays on birminghams silk city fm

jay denham prod. warped, sinister, enormous bass dominant techno !

theo parrish and an all-star cast featuring warren harris, marcellus pittman, bill beaver, jerrald james and mellissa botts take you on a deep excursion to the roots of afro-american music with this free-spirited live jam. after setting the mood with live percussion and a thick live bass, a bluesy guitar, cosmic keys with a sun ra vibe, wailing soul vocals, theo s instantly recognizable beat and later a bitter-sweet violin solo all join in and create an unique atmosphere that is totally mesmerizing. the >reprise< on the flip continues in a more stripped down, piano led way. two shining example of sheer musical genius

here we find montreal disco freak gino soccio going up against the timeless marvin gaye. gino soccio >victim of change< + instro vs marvin gaye >funky space reincarnation< + slits >i heard it through the bass line< reworking of marvins classic !!

a-side rising pharaoh. b-side rising pharaoh dub, rising pharaoh (bon johnson mix) a-side tech funky mover with killer bass, built around a bluesy vocal and guitar plus a faint but effective flute. b-side features a pumped up stripped down tech house leaning dub, simple and to the point with quite an infectious drive and cowbell thing that ought to get them on their feet. last mix is a full on funked up version courtesy of bon johnson

automatic is a new direction fusing electro, funk, and two-step. the first of a fresh batch of music producedin the new wagon repair studios. focus on the dancefloor. beach party - a summer track for the early morning open air festivals. inspired by the idea of doing the side-step with a bass guitar at a rock concert with long hair and tight pants. oh yeah, and there are big fans blowing my hair around !!dj support : anja schneider (mobilee rec.): >thx is nice and hot<, funk d void - lars sandberg, karotte, troy pierce (minus, underline)

here we present you a dose of love techno. in the shape of pelle buys. with complex surface compositions, deep bass constructs and intellegent melody sequences, mr. buys brews a audiophile emotional cocktail, with highest precision and intuition.

2003 classic release with this well known sample not to be missed

debut from d.i.m. on turbo recordings.. pure groove, a dirty bass and some great programming makes this to a sure rocker.. big support by tiga !!

angstfreier minimal der als astreine neuronenmassage durchgeht. bruno pronsato - nie war er so weird wie heute. guten abend !

thumping backdrop of heavy kick, bumping bass, melodic chords, and drifting synths for some quality prime time house

finnish neo-disco-kings star you star me deliver another slice of the sweet cherrypie they are known for. the russian house-meister an-2 strips the song to the basics, with heavy bass, minimal keystabs and perfect breaks, keeping the tension to the end of this 8 minutes journey. james flavour, half of dirt crew and renowned raver in his own right, takes a different approach to retro

zwei tracks , wie sie kaum unterschiedlicher sein könnten... code 1026 ist ein kräftig ravender electro techno track , der sehr knarzig daher kommt, kick the peace ist äusserst relaxed , deep und groovy zugleich >> playlist sven vaeth, laurent garnier - james holden - adam freeland - tiga - felix da housecat - angel molina - dj hell - jussi-pekka - disco boys - martin eyerer - munk - digitalism - mousse t - boris dlugosch - azzido da bass - dj friction - dj john disco (kleinkariert)

let me out is the dirty, gritty offspring of guildford based producers born tricky (jeremy duffy) and mr frisk (ryan stanford). having set up their studio only a year ago these boys have proven themselves as some of the most versatile producers in the business, having turned their hand to drum and bass, house, breakbeat and even live bands in their short production careers. they have engineered for a number of local acts too, enhancing them with their superb production skil

nice price deal !!! this new limited edition ante zenit has two tracks with the a side being a very solid club techno groove with large sub bass and metallic techno stabs whilst on the flip there is a genius minimal slow dirty acid based track that will surely work with the more discerning minimal techno djs out there

four tracks in a mixture between freaky & melodic electro snippets and faster driven techno drums by ixindamix & baunz.. b2 has a drum n bass flavour !! + melodic tool

>through the door< is a classic chacona production - atmospheric space funk, combining more synths than a jean michel jarre stage show, solid disco beats and eyes firmly on the dancefloor. imagine lindstrom on disco biscuits and you get the idea. >the next< wears its italo influences on its sleeve, and will appeal to fans of francisco, morgan geist and chicken lips. the disco synths return (he loves his synths!) and ride over shuffling percussion, a rubbery bass and build into an epic piece of 21st. century disco

with his stunning releases on raum…musik and steve bug s pokerflat imprint, argy a.k.a. jobim s cousin has earned himself a position as one of today s most promising producers. on cargo edition, the boy from greece shows himself a bit more tool-like - hypnotic percussions drive forward these two excellent dancefloor tracks. comerte (a1) sounds like a bongo band playing live at the gym: this sound reminds us so perfectly of squealing basketball boots, doesn t it? hopefully, your dancefloor is not slippery, either… la revancha del bossa (b2) is a bit less forward, paving the way to daniel stefaniks remix of comerte (b1) with nice bassline action. speaking of the remix - mr. cargo edition himself keeps the crowd driving mad with three minutes of spurring synth modulation. see the people going wild when he finally drops in that redeeming bass drum

higher skies isnt as far out as sun ra but it is an uplifting leap into the outter reaches of the atmosphere. the drums and percussion lead us into the funky bass and ms. vogel is way up in higher skies.this is the future of future jazz with the poetic verses flying in higher consciousness. its enough to make you feel lightheaded

deep and smooth slice of house here from matty harris constructed with swinging drums, a minimalistic charles webster style groove of falsetto vocals, vocal samples (including janet jackson), bumping bass, and minor pads, this tune has a potential for the early peak and afterhours on the flip lick everything is a uptempo cross pollination of the bumpy bump west coast sound and the more swingy chopped chicago sound

second release from this new label. sordid you combines huge droning bass frequencies with a combo of bouncy, undulating synth hooks and tough beats for a huge uplifting track with a moody edge to it awesome production throughout, and a very fresh and exciting sound generally. watch these guys fly for the rest of the year

ohne punkt & komma macht gerald eine lp mit 9 stücken die er galant ineinander gemixt hat !!

wallop limited edition returns with this, the next instalment of dj dancefloor debauchery sister.a side comes courtesy of wallops infamous russian connections roman pushkin & maxim. b side is blakes baby (ocean traxx records italy).it succeeds in turning the original on its head, with big bad electro bass stabs and a dubbed up vocal

inc cassy remix (perlon, panoramabar), first up is the more jackin minimal tune of the lot.… the second tune of the a-side takes on a more trancey and bleepy approach as string-like pads are brought in to mellow out the feeling of the track and support the crunchy and vibrant bass line. the major elements of b1 are comprised of an acidlike bass line and a staccato house piano. for the fourth and final track of the ep, cassy is brought in on remix duty and does a makeover of bleepy creep (a1) that introduces new elements and new energies. the remix is based on minimal references and stays low and repetitive

sumo is a duo from geneva founded in 1999 by brothers fred and alex sumi. both played the piano when they were kids before they embraced freestyle-bmx. while they were riding, the ghettoblaster used to blast out punk hardcore or hip hop. in the 90’s, they moved quite naturally into music, playing bass and guitar in their originated funk band, swiss cheese connection. from 2000 to 2004, they have released on their own chiz recordslabel 4 vinyl ep s, supported by the press and djs like gilles peterson, jazzanova or luke solomon. in 2003, sumo makes its debut on yoshitoshi, label of grammy award winner duo djs deep dish, with the single >yes we will< which is played by top dj s like digweed, pete tong or paul oakenfold.

classic gosub electro trax with low slung, modulated bass lines, off key pads and metallic percussion styles.. all tracks produced live using strictly ancient electrode technology

Ülar aasmäe aka spin science is a newcomer from estonia following the footsteps of his heroes rulers of the deep and dave storm. >fill your soul< is his first ever ep to be released. this debut ep on cabrio records is a good example of the deep and groovy sounds spin science is after. fill your soul is a nice smooth deep house track with mellow pads and techy chords. smooth vocals by elsa hill. in the remix the vocals remain, but atmospheric chords and a bass line that has more drive in it are added. tonic is a more soulful track with a pumping bass line and vocals. acid lines and saw chords make it a nice club track for sure

shooting stars john dahlback and dk7s mark o sullivan strike 2 killer blows as they launch their new label jm recordings. i saw your eyes is a mid set acid triggered tech stomper,driven by a sinister vocal hook, a pure celebration of those of us who have flown too close to the sun. while when you caught the sun clears the air with its lush crisp synth sounds and driving bass. the gravity pull of this stunning release will drag you into its orbit which is of course the centre of the dancefloor

this is funky chicago acid house music !! pure dope shit

a man that needs no real introduction gives us the first in a series of offerings. luke solomons newest production company bad brains and black flags brings us two new hot tracks. the title track phantoms with its bass driven punk edge and the b side end of days with its more tweaky white noise kinda feeling. another example of how punks and electronics can coincide harmoniously. whatever your pleasure we re sure you ll dig this one just as much as we do

a visceral, electro-infused rendering of seaboard cityscapes dedicated to his hometown of seattle w/a move into pop territory, meticulously sliced on diced vocals packed w/sub-bass

number 12 on soma offshoot darkroom dubs these guys have been around for some time producing drum and bass and now they have a crack at some dark electro based electronica loads going on in all three tracks

real life testing reveals it all, therefore we have nothing to add to serafin s comment about the a side: >i have been playing this in virtually every set for the past couple of weeks, and the reaction of the crowds is simply amazing. this performs extremely well in a club setting, it sounds perfect (and loud!) on every system and people are responding to it instantly. i often extend this with the loop machine to well over 10 minutes, with an absolutely devastating effect. this is a bomb, trust me on this one!< on the flip switzerland s premier dirt funker agnès delivers one of his nasty treatments. the sthlm audio head pulls all the stops on this one: bass action from below underground, weird noises and nicely shuffled hihats compose a charming and warm piece of music, carrying a strange and deep atmosphere!

side a drops for the more bass lovin punter, lets jump up and go crazy! classic bassline business just like the spanish like. no holes barred twisted heavy shiznit! side b gets the full on peter paul acid treatment! lookout here comes the techno. drivin bassline with this mad stab cum horn pullin you in the direction of the strobe light! this is dark! drivin and dangerous prepare to get sweaty and gallop that dance floor

side a tech funk bass fuelled fresh as fresh can be sound. skanky bassline, ska style stabs and techno pads and tripped out synths send ya head way ward.side b takes on the same direction as the a side but comes in with a dreamy old skool vibe vocal to get the ladies excited, it seems to feel a lot faster than it actually is, energy flowing from each kick and snare. dont get the wrong idea when i say this track turns into a floater, were talkin hands in the air smiley dreamy touchy feely break beat! nice!

following erik rugs original version of >tribute to my people< and its dark electric disco rap vibe, les disques du télégraphe bring us slamming nu funk remixes by l aroye & kÿ. l aroye and his partner in crime kÿ aka romain the keyboard wizard, re-wrote the track keeping the original rap performed by dynamax (of the zulu nation - bronx). the new school boogie beat (the live fender bass and kÿ s furious synth chords) give the remix a fun organic funk arrangement. wait for the first break to come in: there is no way you re gonna escape that chorus of a children s choir singing in french. its gonna be big this summer

lazzich (real name sergey lazarev) is an electronic musician living in suburban moscow. without you (someone else remix)- is a prime time dance floor interpretation riding a strong bass groove and combining atmospheric feeling of original with powerful trade mark sound of someone else, owner of foundsound records, very well known for releases on such labels as microcosm, tuning spork, alphahouse, musik krause, nummer and countless others.

a: tral 49 - a easy beat with good placed cheeping sounds and well-balanced grooves are the key elements of the track >tral 49<. after a dj friendly introduction gloominess and psyche meet each other and invite to dance as both complement each other in full harmony and build the peak to the basis. b 1: zwischenlandung is a minimal track which atmosphere bringsa convenient feeling. the track starts with an emotional bass line which makes space, in the continuing story line, for a melancholic melody which coherence and charm never gets lost. b 2: der kuss des drachen -the finish is a nice homage to all which prefer a more relaxed motion but don t want to start sleeping on the way. a grooving beat cooperates in effective harmony with a classic chinese stringed bowed instrument so that you don t want to stop to seesaw in the rhythm. the whole time short padding sounds build up and down without losing the red line or leaving space for boredom

remixes by ed banger & scratch massive with sex schön already massive support from miss kittin (lalaland remixes are bombs!), andry nalin, mash, play paul, azzido da bass, cajuan, mario rogowski, 2manydjs, sven väth, thomas schumacher, sharam jey, tiga, tom novy, turntable rockers, pete tong, kid alex, erol alkan, digitalism, & many more to come

finest chillout mixes of depeche modes >its no good< by hardfloor , speedy j, andrea parker, motaor bass and dom t

nach genau 252 tagen ist der nächste ada release fällig. mit dem bass im herzen und schönen melodien auf den lippen rockt sich ada auf unsere plattenteller...

damon proves he s still got it, revisiting his subtractive synthesis project for an eighth time. the ep takes us on a spaced-out journey into the future with tribal beats, ethereal sounds and a sometimesquirky nature. on the a-side >space time< is a haunting track with a galloping feel and mesmerizing bass line. >evolute< is a masterful track that s both deep and funky...

oldschool sounding electro house tune with a lot of wicked acidhouse flavour a must have